Career Timeline
He became one of the partners along with lyricist Samudrala Sr., director/kuchipudi dancer Vedantam Raghavayya and produ
He became one of the partners along with lyricist Samudrala Sr., director/kuchipudi dancer Vedantam Raghavayya and producer D.L. Narayana and started Vinoda Pictures in 1950. They had produced Strisahasam, Shanti and Devadasu/Devadas. Subbaraman had composed 6 to 7 songs for Devadasu/Devadas when he died suddenly. Then, M. S. Viswanathan & T. K. Ramamoorthy completed the balance three songs.
He became one of the partners along with lyricist Samudrala Sr., director/kuchipudi dancer Vedantam Raghavayya and produ
He became one of the partners along with lyricist Samudrala Sr., director/kuchipudi dancer Vedantam Raghavayya and producer D.L. Narayana and started Vinoda Pictures in 1950. They had produced Strisahasam, Shanti and Devadasu/Devadas. Subbaraman had composed 6 to 7 songs for Devadasu/Devadas when he died suddenly. Then, M. S. Viswanathan & T. K. Ramamoorthy completed the balance three songs.
In 1948, he started composing for Prathiba Pictures which belongs to Ghantasala Balaramayya beginning with Balaraju, Swa
In 1948, he started composing for Prathiba Pictures which belongs to Ghantasala Balaramayya beginning with Balaraju, Swapna Sundari and Sri Lakshmamma Katha.
In 1948, he started composing for Prathiba Pictures which belongs to Ghantasala Balaramayya beginning with Balaraju, Swa
In 1948, he started composing for Prathiba Pictures which belongs to Ghantasala Balaramayya beginning with Balaraju, Swapna Sundari and Sri Lakshmamma Katha.
In 1948 also, Subbaraman composed music for Raja Mukthi of M
In 1948 also, Subbaraman composed music for Raja Mukthi of M. K. Thyagaraja Bhagavathar starrer. Subbaraman also worked with N. S. Krishnan in Paithiyakkaran (1947), Nallathambi (1949) and Manamagal (1951).
In 1948 also, Subbaraman composed music for Raja Mukthi of M
In 1948 also, Subbaraman composed music for Raja Mukthi of M. K. Thyagaraja Bhagavathar starrer. Subbaraman also worked with N. S. Krishnan in Paithiyakkaran (1947), Nallathambi (1949) and Manamagal (1951).
The next movie chance came in 1947 where he started to work with Bharani Pictures which belongs to P
The next movie chance came in 1947 where he started to work with Bharani Pictures which belongs to P. Bhanumathi for Ratnamala with Ghantasala. Initially he composed for all the films produced by Bharani then onwards till his death. From Laila Majnu, Prema till Chandirani. For his last three hits Marumagal, Devadas and Chandi Rani released in 1953 he managed to compose all the songs well in advance, but died during the composition of background music to be completed by his assistants M. S. Viswanathan & T. K. Ramamoorthy.
The next movie chance came in 1947 where he started to work with Bharani Pictures which belongs to P
The next movie chance came in 1947 where he started to work with Bharani Pictures which belongs to P. Bhanumathi for Ratnamala with Ghantasala. Initially he composed for all the films produced by Bharani then onwards till his death. From Laila Majnu, Prema till Chandirani. For his last three hits Marumagal, Devadas and Chandi Rani released in 1953 he managed to compose all the songs well in advance, but died during the composition of background music to be completed by his assistants M. S. Viswanathan & T. K. Ramamoorthy.
Subbaraman had been instrumental in introducing Ghantasala to Tamil film by the movie Paithiyakaran (1947) and also made
Subbaraman had been instrumental in introducing Ghantasala to Tamil film by the movie Paithiyakaran (1947) and also made debut of M. L. Vasanthakumari in Raja Mukthi (1948). Subbaraman also gave lessons to P. Leela and a chance to sing under his compositions, which made her very famous. He was a trendsetter in music composition during his heyday.
Subbaraman had been instrumental in introducing Ghantasala to Tamil film by the movie Paithiyakaran (1947) and also made
Subbaraman had been instrumental in introducing Ghantasala to Tamil film by the movie Paithiyakaran (1947) and also made debut of M. L. Vasanthakumari in Raja Mukthi (1948). Subbaraman also gave lessons to P. Leela and a chance to sing under his compositions, which made her very famous. He was a trendsetter in music composition during his heyday.
M
M. K. Thyagaraja Bhagavathar (MKT) had been listening and was pleased with the music. He invited Subbaraman to compose music for his next venture, 'Uthayanan' (1945). It was a dream of the music directors of that era that to compose music from MKT's songs. Subbaraman had worked day and night profusely to have put out the best tunes. MKT came to the recording theatre, was briefed about the tunes, and was prepared to sing when the recording was interrupted by his Mamundi Achari and MKT needed to leave. MKT was arrested later in the evening for the murder of Lakshmikanthan. Uthayanan has been temporarily halted. But when MKT was sentenced to jail, the producer proceeded to make the movie with G. N. Balasubramaniam. Subbaraman was replaced by C. S. Jayaraman.
M
M. K. Thyagaraja Bhagavathar (MKT) had been listening and was pleased with the music. He invited Subbaraman to compose music for his next venture, 'Uthayanan' (1945). It was a dream of the music directors of that era that to compose music from MKT's songs. Subbaraman had worked day and night profusely to have put out the best tunes. MKT came to the recording theatre, was briefed about the tunes, and was prepared to sing when the recording was interrupted by his Mamundi Achari and MKT needed to leave. MKT was arrested later in the evening for the murder of Lakshmikanthan. Uthayanan has been temporarily halted. But when MKT was sentenced to jail, the producer proceeded to make the movie with G. N. Balasubramaniam. Subbaraman was replaced by C. S. Jayaraman.
When His Master's Voice was offered to compose music for cinema under the banner Tamil Nadu Talkies for the Telugu film
When His Master's Voice was offered to compose music for cinema under the banner Tamil Nadu Talkies for the Telugu film Chenchu Lakshmi (1943), R. Chinnaiah had the opportunity as the music director.
When His Master's Voice was offered to compose music for cinema under the banner Tamil Nadu Talkies for the Telugu film
When His Master's Voice was offered to compose music for cinema under the banner Tamil Nadu Talkies for the Telugu film Chenchu Lakshmi (1943), R. Chinnaiah had the opportunity as the music director.
About Jupiter Shankar
Little is known about the music teachers of Subbaraman. Initially he had learned music from a Nadhaswaram player in Kumbakonam. He was a remarkable learner: whatever he practised during the morning he was able to deliver in the evening. He was well versed in harmonium at the age of 14. At the age of 16 under the recommendation of G. Ramanathan's brother Sundara Bagavathar, Subbaraman joined His Master's Voice as a Harmonist. His Master's Voice was a gramophone production and distribution company, under which there was a permanent orchestra led by R. Chinnaiah. S. Rajeswara Rao also was with His Master's Voice. At that time, Ramasamy Iyer and Subbaraman were residing in Mylapore.
1943 to 1952
Notable facts
C. R. Subbaraman at IMDb
Tamil article on C. R. Subbaraman
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Little is known about the music teachers of Subbaraman.
Jupiter Shankar has been active during 1943 to 1952.