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East of Eden-Chapter Two Lyrics by John Steinbeck

East of Eden

1952

And that was the long Salinas Valley. Its history was like that of the rest of the state. First there were Indians, an inferior breed without energy, inventiveness, or culture, a people that lived on grubs and grasshoppers and shellfish, too lazy to hunt or fish. They ate what they could pick up and planted nothing. They pounded bitter acorns for flour. Even their warfare was a weary pantomime.
Then the hard, dry Spaniards came exploring through, greedy and realistic, and their greed was for gold or God. They collected souls as they collected jewels. They gathered mountains and valleys, rivers and whole horizons, the way a man might now gain title to building lots. These tough, dried-up men moved restlessly up the coast and down. Some of them stayed on grants as large as principalities, given to them by Spanish kings who had not the faintest idea of the gift. These first owners lived in poor feudal settlements, and their cattle ranged freely and multiplied. Periodically the owners killed the cattle for their hides and tallow and left the meat to the vultures and coyotes.
When the Spaniards came they had to give everything they saw a name. This is the first duty of any explorer—a duty and a privilege. You must name a thing before you can note it on your hand-drawn map. Of course they were religious people, and the men who could read and write, who kept the records and drew the maps, were the tough untiring priests who traveled with the soldiers. Thus the first names of places were saints' names or religious holidays celebrated at stopping places. There are many saints, but they are not inexhaustible, so that we find repetitions in the first namings. We have San Miguel, St. Michael, San Ardo, San Bernardo, San Benito, San Lorenzo, San Carlos, San Francisquito. And then the holidays—Natividad, the Nativity; Nacimiente, the Birth; Soledad, the Solitude. But places were also named from the way the expedition felt at the time: Buena Esperenza, good hope; Buena Vista because the view was beautiful; and Chualar because it was pretty. The descriptive names followed: Paso de los Robles because of the oak trees; Los Laureles for the laurels;
Tularcitos because of the reeds in the swamp; and Salinas for the alkali which was white as salt.
Then places were named for animals and birds seen—Gabilanes for the hawks which flew in those mountains; Topo for the mole; Los Gatos for the wild cats. The suggestions sometimes came from the nature of the place itself: Tassajara, a cup and saucer; Laguna Seca, a dry lake; Corral de Tierra for a fence of earth; Paraiso because it was like Heaven.
Then the Americans came—more greedy because there were more of them. They took the lands, remade the laws to make their titles good. And farmholds spread over the land, first in the valleys and then up the foothill slopes, small wooden houses roofed with redwood shakes, corrals of split poles. Wherever a trickle of water came out of the ground a house sprang up and a family began to grow and multiply. Cuttings of red geraniums and rosebushes were planted in the dooryards. Wheel tracks of buckboards replaced the trails, and fields of corn
and barley and wheat squared out of the yellow mustard. Every ten miles along the traveled routes a general store and blacksmith shop happened, and these became the nuclei of little towns, Bradley, King City, Greenfield.
The Americans had a greater tendency to name places for people than had the Spanish. After the valleys were settled the names of places refer more to things which happened there, and these to me are the most fascinating of all names because each name suggests a story that has been forgotten. I think of Bolsa Nueva, a new purse; Morocojo, a lame Moor (who was he and how did he get there?); Wild Horse Canyon and Mustang Grade and Shirt Tail Canyon. The names of places carry a charge of the people who named them, reverent or irreverent, descriptive, either poetic or disparaging. You can name anything San Lorenzo, but Shirt Tail Canyon or the Lame Moor is something quite different.
The wind whistled over the settlements in the afternoon, and the farmers began to set out mile-long windbreaks of eucalyptus to keep the plowed topsoil from blowing away. And this is about the way the Salinas Valley was when my grandfather brought his wife and settled in the foothills to the east of King City.

About “East of Eden-Chapter Two” by John Steinbeck

Read the complete lyrics to "East of Eden-Chapter Two" by John Steinbeck from the album "East of Eden" in 1952. On Lyrks you can follow along with the full text, explore the artist's discography, and discover related songs. The track is often categorized under Non-Music, Literature.

"East of Eden-Chapter Two" is performed by John Steinbeck. from the album "East of Eden" in 1952 This page provides the full lyric text for fans who want to sing along, study the songwriting, or compare versions across releases. Lyrks organizes lyrics by artist and song slug so you can bookmark and share a stable URL. Music lyrics help listeners connect with emotion, narrative, and rhythm in a track. Whether you are learning English, researching a favorite chorus, or preparing for karaoke, having accurate line breaks and section labels (verse, chorus, bridge) makes the experience easier. We link to the official artist profile on Lyrks where available, including biography snippets, top songs, and chart placements when we have that data. If you enjoy "East of Eden-Chapter Two", explore more songs by John Steinbeck using the links below. Chart and trending pages on Lyrks highlight what listeners are searching for this week. For copyright or correction requests, see our DMCA and contact pages.

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"East of Eden-Chapter Two" is credited to John Steinbeck. Songwriting credits may include additional writers listed on the release; check the credits section on this page for linked collaborators.

"East of Eden-Chapter Two" appears on "East of Eden" in 1952.

Visit the John Steinbeck artist page at /artist/john-steinbeck for biography, popular tracks, and links to more lyric pages.