Lyrks
Lyrks
Lyrks
Cover Art

A Comment on August 23, 1944 Lyrics by Jorge Luis Borges

1944

That crowded day gave me three distinct surprises: the physical degree of joy I felt when they told me that Paris had been liberated; the discovery that a collective emotion can be noble; the puzzling and flagrant enthusiasm of many who were supporters of Hitler. I know that if I question that enthusiasm, I may easily resemble those futile hydrographers who asked why a single ruby was enough to arrest the course of a river; many will accuse me of trying to explain a fantastic event. Still, it happened, and thousands of persons in Buenos Aires can bear witness.
I realized immediately that it was useless to ask those people themselves. They are fickle, and by behaving incoherently they are no longer aware that incoherence need be justified. They adore the German race, but they abhor "Saxon" America; they condemn the articles of Versailles, but they applaud the wonders of the Blitzkrieg; they are anti-Semitic, but they profess a religion of Hebrew origin; they celebrate submarine warfare, but they vigorously condemn British acts of piracy; they denounce imperialism, but they defend and proclaim the theory of Lebensraum; they idolize San Martin, but they regard the independence of America as a mistake; they apply the canon of Jesus to the actions of England, but the canon of Zarathustra to those of Germany.
I also reflected that any other uncertainty was preferable to the uncertainty of a dialogue with these siblings of chaos, exonerated from honor and piety by the infinite repetition of the interesting formula "I am Argentine". Furthermore, did Freud not argue and Walt Whitman not foresee that men have very little knowledge of the real motives for their conduct? Perhaps, I said to myself, the magic of the symbols Paris and liberation is so powerful that Hitler's partisans have forgotten that the defeat of his forces is the meaning of those symbols. Wearily, I chose to imagine that the probable explanation for this conundrum was their fear, their inconstancy, and their mere adherence to reality.
Several nights later, I was enlightened by a book and a memory. The book was Shaw's Man and Superman; the passage in question was John Tanner's metaphysical dream, where he affirms that the horror of Hell is its unreality. This conviction can be compared with the doctrine of another Irishman, John Scotus Erigena, who denied the substantive existence of sin and evil, and declared that all creatures, including the Devil, will return to God. The memory was the day that had been the exact and hateful opposite of August 23, 1944: June 14, 1940. A certain Germanophile, whose name I do not wish to remember, came to my house that day. Standing in the doorway, he announced the dreadful news: the Nazi armies had occupied Paris. I felt a confusion of sadness, disgust, malaise. Then it occurred to me that his insolent joy did not explain the stentorian voice or the abrupt proclamation. He added that the German troops would soon be in London. Any opposition was useless, nothing could prevent their victory. That was when I knew that he, too, was terrified.
I do not know whether the facts I have related require clarification. I believe I can interpret them like this: for Europeans and Americans, one order and only one is possible; it used to be called Rome, and now it is called Western Culture. To be a Nazi (to play the energetic barbarian, Viking, Tartar, sixteenth-century conquistador, gaucho, or Indian) is, after all, mentally and morally impossible. Nazism suffers from unreality, like Erigena's hell. It is uninhabitable; men can only die for it, lie for it, wound and kill for it. No one, in the intimate depths of his being, can wish it to triumph. I shall risk this conjecture: Hitler wants to be defeated. Hitler is blindly collaborating with the inevitable armies that will annihilate him, as the metal vultures and the dragon (which must have known that they were monsters) collaborated, mysteriously, with Hercules.
[1944] [SJL]

About “A Comment on August 23, 1944” by Jorge Luis Borges

Read the complete lyrics to "A Comment on August 23, 1944" by Jorge Luis Borges in 1944. On Lyrks you can follow along with the full text, explore the artist's discography, and discover related songs. The track is often categorized under Non-Music.

"A Comment on August 23, 1944" is performed by Jorge Luis Borges. in 1944 This page provides the full lyric text for fans who want to sing along, study the songwriting, or compare versions across releases. Lyrks organizes lyrics by artist and song slug so you can bookmark and share a stable URL. Music lyrics help listeners connect with emotion, narrative, and rhythm in a track. Whether you are learning English, researching a favorite chorus, or preparing for karaoke, having accurate line breaks and section labels (verse, chorus, bridge) makes the experience easier. We link to the official artist profile on Lyrks where available, including biography snippets, top songs, and chart placements when we have that data. If you enjoy "A Comment on August 23, 1944", explore more songs by Jorge Luis Borges using the links below. Chart and trending pages on Lyrks highlight what listeners are searching for this week. For copyright or correction requests, see our DMCA and contact pages.

View all songs and biography for Jorge Luis Borges · Trending lyrics · Billboard Hot 100

Frequently asked questions

"A Comment on August 23, 1944" is credited to Jorge Luis Borges. Songwriting credits may include additional writers listed on the release; check the credits section on this page for linked collaborators.

Album information for "A Comment on August 23, 1944" is not available in our database yet. You can still read the full lyrics on this page.

Visit the Jorge Luis Borges artist page at /artist/jorge-luis-borges for biography, popular tracks, and links to more lyric pages.