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Mordred: Act III, Scene 7 Lyrics by William Wilfred Campbell

Poetical Tragedies

1908

PLACE—A passage near the Queen’s apartments.
Enter VIVIEN.
VIV. Now, slave, but do the bidding of thy master,
And soon the boding hour will draw anigh
When Guinevere will queen a royal hunchback.
Now serve me well, my wits, until I play
The issue of this matter to my mind.
[Retires into an alcove.
Enter UNID, the Queen’s Maid, with a ring.
UNID. Now, drat that page! What can the matter be?
This ring must go, but who will be the bearer
It bothereth me to discover. [Passes out on left.
Enter DAGONET on right.
DAG. O me! me! me! that ever I did that deed!
(to spirit) Nay! nay! spirit, come not here!
Hide, hide that woeful face. Sleep, sleep
Quiet i’ the grave! Dagonet meant it not.
Ha, ha! I’ll laugh and be merry. ’Tis but my wits.
I’ll think on Vivien.—Nay, nay, not that face!
I slew thee not! Away! away! away!
’Tis but a fancy, but it lifts the hair
In frosty bristles, makes the eyeballs stare,
And turns me to a horror. Away! away!
Re-enter Maid.
UNID. What play is now, sir fool, that thy wit playeth?
DAG. Oh! ’tis thou!
UNID. ’Tis said that thou art looking at the Queen,
And wouldst oust Sir Launcelot. Thou art a bold fool.
DAG. Nay, nay, ’tis thou, sweet Unid, rendeth my heart.
UNID. Now art thou a kind fool.
DAG. Is the Queen within?
UNID. She sleepeth.
DAG. I will sing thee a song. (sings)
It rose upon a month o’ May,
When woods were filled with laughter
Came Margery tripping up the way,
And Jock a-stealing after.
(to spirit) Away! away!
It rose in autumn’s afternoon,
When love was dead, and laughter,
That Jock went striding ’neath the moon,
And Margery pining after.
(to spirit) Away! I say, away!
UNID. Well acted, fool, and well sung!
DAG. Yea, it is a part of me.
UNID. (aside) He will do. (to DAGONET) Fool, wilt thou deliver a message for me?
DAG. Yea, by my love.
UNID. It be a pressing business, and a private one.
[Speaks in a low voice.
Thou seest this ring. It is the Queen’s. Thou needs must find Sir Launcelot, and deliver it to him privately and say: “This night afore midnight.”
DAG. What doth it mean?
UNID. It meaneth, do thy part, and shut thy ears and mouth, and put a padlock on thine inward thoughts. Wilt thou do it?
DAG. Yea, that I will, ’tis for the Queen. (to spirit)
Away! away! Haunt me not!
UNID. What aileth thee?
DAG. Did I speak?
UNID. Thou spokest as to someone.
DAG. ’Tis but an infirmity.
UNID. ’Tis a queer one. Thou wilt be speedy and private?
DAG. That I will. Not one kiss?
UNID. Away! away! Haunt me not!
[Exit. VIVIEN comes from the alcove.
VIV. Ha! thou false lover!
[DAGONET drops the ring.
DAG. ’Tis thou!
VIV. Caught in the act, soft words and lovers’ songs,
And rings exchanged, and even kisses proffered.
Thou double-dealer! Thou wouldst seek my love?
DAG. I tell thee thou are wrong. ’Tis the appearances are at fault.
VIV. Thou liest! Didst thou not offer to buss her?
DAG. ’Twas but a sally to cover mine inward thoughts.
VIV. Thou liest again. What were those low words she spake, when she took thy hand?
DAG. ’Twas but a message she gave me on a private matter.
VIV. Oh! oh! very private, Dagonet, very private!
DAG. I cannot tell thee of its import.
VIV. Nay, thou canst not, for thou liest.
DAG. I tell thee, Vivien, thou wilt madden me.
I tell thee I love thee only, and thou knowest it.
VIV. What was the substance of that message?
DAG. If thou must have it—and thou draggest my heart out—it was from the Queen: the words, “to-night afore midnight.”
VIV. A true story! To thee?
DAG. Nay, to Sir Launcelot.
VIV. Thou liest! Canst thou explain that ring she gave thee? [Picks it up.
DAG. ’Tis the Queen’s.
VIV. Ho! ho! And thou the trusted messenger! ’Tis a likely story. Wouldst have me believe it?
DAG. Vivien, I tell thee that I love thee, and am in hell for thee, aye in hell!
VIV. Thou forgettest thine important message, thou most trusted lover and messenger!
DAG. Vivien, wilt thou not believe me?
VIV. Go, go, I tell thee; I will see thee again.
[Exit DAGONET.
Now cometh the hour when my revenge approacheth,
Now winds my web about doomed Camelot,
An angered fate hangs o’er these castle walls.
There will be bloody deeds abroad to-night.
Rise, spirits of old vengeance and affright!
Vivien conquereth! Wait! wait!
CURTAIN.

About “Mordred: Act III, Scene 7” by William Wilfred Campbell

Read the complete lyrics to "Mordred: Act III, Scene 7" by William Wilfred Campbell from the album "Poetical Tragedies" in 1908. On Lyrks you can follow along with the full text, explore the artist's discography, and discover related songs. The track is often categorized under Non-Music, Literature.

"Mordred: Act III, Scene 7" is performed by William Wilfred Campbell. from the album "Poetical Tragedies" in 1908 This page provides the full lyric text for fans who want to sing along, study the songwriting, or compare versions across releases. Lyrks organizes lyrics by artist and song slug so you can bookmark and share a stable URL. Music lyrics help listeners connect with emotion, narrative, and rhythm in a track. Whether you are learning English, researching a favorite chorus, or preparing for karaoke, having accurate line breaks and section labels (verse, chorus, bridge) makes the experience easier. We link to the official artist profile on Lyrks where available, including biography snippets, top songs, and chart placements when we have that data. If you enjoy "Mordred: Act III, Scene 7", explore more songs by William Wilfred Campbell using the links below. Chart and trending pages on Lyrks highlight what listeners are searching for this week. For copyright or correction requests, see our DMCA and contact pages.

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"Mordred: Act III, Scene 7" is credited to William Wilfred Campbell. Songwriting credits may include additional writers listed on the release; check the credits section on this page for linked collaborators.

"Mordred: Act III, Scene 7" appears on "Poetical Tragedies" in 1908.

Visit the William Wilfred Campbell artist page at /artist/william-wilfred-campbell for biography, popular tracks, and links to more lyric pages.